[i]"@FredM: Don't you think that PLL's would be a kind of overkill? Don't you think that classical frequency doubler or tripler stages (nonlinear amp stages with tuned load impedance) would do the job in this case? Just a thought from an old analogical brain..."[/i]
Hi Thierry -
First, I misunderstood the original posting.. On re-reading it I realized that additive synthesis (as in, being able to add individual harmonics in a controlled manner) was not what was being asked for.. What was being asked for was a lot simpler.
As for analogue frequency multiplication, I have found the costs of this approach was a lot higher than the PLL approach - for what I wanted to do - but for the application here, one probably doesnt need multipliers at all -
Let me explain what I was aiming for.. I wanted my theremin to have additive mixing of the first 16 harmonics, and was also looking at making this 'engine' compatible with CV input (ie, make it a VCO) so that I could also sell it to the synth market - there were two 'simple' approaches - one was to generate VFO and REF signals with complex waveforms and to filter these through a bank of BP filters so that the harmonics were independently available, then to scale these outputs for consistant levels, then to adjust each level to 'taste' and mix (not heterodyne) them, then take these mixed waveforms (one fron the VFO bank, one from the REF bank) to a 4Q multiplier for heterodyning.
I managed to build a prototype board with control of 6 harmonics, but the problems were enormous - everything - filters, VCA's, mixers were all dealing with frequencies ranging from 250kHz up to 1.5MHz .. pushing up to 16 harmonics would have taken the top harmonic frequency to 4MHz - A low frequency for digital circuits, but a bummer when one wants clean audio from the output and one is dealing with analogue circuits at these frequencies.
I then went the "digital" route.. When I say "digital" this is not entirely correct.. "Mixed signal" is more accurate - PLL's contain both 'digital' and analogue components... What is the square wave output from a Theremax? is it digital or analogue? - Anyway, the circuit was greatly simplified and a lot more stable, sounded far cleaner (in fact,completely clean), and was a lot cheaper..
In the end, however, the complexity of the user interface was mainly what made me abandon this idea.. even for 6 harmonics, there were (minimum) 6 controls to set harmonic levels - but to make it useful, one needed frequency dependent control over each harmonic so that the spectrum could change dynamically as the frequency changed - this added another 6 controls.. Then, for full versatility, one really needs volume dependant control - another 6 controls... Minimum 12 controls, optimum 18 controls for just 6 harmonics!
To make a usable product I needed to go for a digital user interface with presets so that a "timbre" could be created and stored - This involved a lot of development.. I had this on the 'back burner' - I put it aside while I got on with my (2) theremin product I planned to launch at HO2011, with an optimistic hope that I might have enough spare time (LOL) to build a prototype in time for HO2011.
As they say, the rest is history.. I am only now able to sit at my desk and 'work' for a few hours, and have absolutely no idea what the future holds for my boxes of 'junk' or my reams of designs.. Apart from which I am broke.
[i]"analogical brain"[/i] LOL! Love it! - Mixed signal perhaps? ;-) Oh,and congratulations on your well deserved position at TW!
Fred.