Think of theremin behavior as a dancing butterfly in an open field, being pursued by a Thereminist waving their arms in space.
The theremin oscillators are alive, providing energy to its wings which in turn give it an aerial response.
Not having a good earth ground is like ripping off one wing and expecting it to fly.
Not having a proper pitch antenna would be like taking a pair of scissors to the other wing and trimming a little off.
Using a large metal mass, a bollard as a theremin pitch antenna would be like putting duck tape on one of the butterfly wings. The theremin is based upon very low energy levels which would not be able to drive enough energy (normally) into the bollard to get the results you need.
A simple solution uses a plastic bollard, then use a normal internal antenna.
You must have balance between both wings or the butterfly will fly in circles or worse if one wing has been trimmed spin around on the floor screaming.
I hear this scream from some theremins, all of my early theremin designs screamed, this is what might be called the cry of the butterfly if you can hear what I am saying.
This raises another off topic question though actually related. How do some theremins develop that rich or throatier almost vocal sound? If anyone dare post your logic then post your sound byte to back it up. ( ‘ I double dare you! I would like to think that not all scratch theremin designers have faded away.
David: Where are you getting your “good earth ground” from? If you did get response from a larger metallic object for an antenna you need to raise it up away from the ground a couple of feet. The Theremaniac operates around 800 kHz; it's Hartley oscillators and circuits draw about 5 ma. at 9 volts. To reveal a schematic would not be fair to Chuck Collins the designer though its availability is online and no secret.
David I hope you stick with your theremin research, a journey to which few are called.
Good Luck,
Christopher