"You can take granny's Irish stew and by adding a little ghee and a carefully blended medley of coriander, cardamom, turmeric, red chilies and mustard seeds, you can turn it into a passable curry in less than 5 minutes." - Coalport
"passable" ? IMO no! - the meat in the stew will not have been optimally coooked with the appropriate spicing, to mention just one minor aspect - Granmas stew will never be a curry, at best it will be a curry flavoured stew! (oh yes, I do some quite mean curries - I started by adding "curry components" to stews or whatever, but got way beyond that many years ago..)
"I guess the big question here is: are there any objective criteria for mastery of some particular skill, or is it all entirely subjective and dependent on whether or not someone likes what you are doing."
I think the answer is more "yes" for tightly defined activities - We know a master chess player because there are absolute rules which cannot be broken - you cannot change the moves for any piece mid-game for example, and the moves are what makes the game (My son and I have been experimenting with giving, for example, the queen the right to move like a knight as well as her normal moves, or allowing pawns to jump over a blocking piece, or giving knights a double jump option - and we concluded that every alteration we make to the original game completely ruins it ;-)
And for something like music, one can accept whatever "objective criterion" is accepted for the particular genre, and base any judgment on that - and in this context what you "do" and judgments you make and express, are entirely correct and valid.
IMO, it is only when crossing to some other genre that these judgments become a 'problem' - a bit like arguing with people playing chess where pieces have a different set of legal moves - the instrument is the same, but all the paradigms are different.. some "games" may use chess board and pieces, but use pieces as if they were chequer pieces without regard for their 'form' - such a game wouldnt be chess, but it would still use the same instrument and still be a game..
One alteration we made to the game was really interesting - we started out by placing the pieces on the board one at a time (taking turns), and being able to place any piece anywhere in the first two rows - so the starting conditions were entirely different to a normal game.. from then we played in the normal way - IMO this may be a good analogy to musical genres - and particularly 'experimental' - because none of the standard set patterns apply, everything is entirely "improvised" and the game is unrepeatable unless one sets the pieces ap with identical starting conditions.
But in the end it comes down to the one thing thats important, and nothing else matters one iota, the enjoyment or otherwise that your creation 'generates' - If you like what you produce, and loads of others like it, then you may make it commercially as a musician .. But even if its only the creator who likes it, it still has value to them, and if they really like their production more than anyone elses production, then they are their own supreme master (and probably a raving narcisist ! ;-)
Fred.
"If you say Ke$ha is a "master of the theremin" then, for you, she is"
- Not if its never played a theremin, even with its boobs ;-) .. comes back to the "silly person" stuff - cannot make any comparative judgment if you have only heard one performer.. all you can say is "I like it" or "I dont like it".. or something between those extremes - or at least thats all you can say unless you are silly.
** Just thinking about the chess analogy - It may well be that a chess master would be better placed to play a variant of the game than my son or I .. that their skill and mastery would give them a huge advantage - And I suspect that this could apply to skilled "rules bound" musicians moving to an 'experimental' genre - IF they were able to "step outside" their comfort zone and not 'engineer' the 'game' to make it conform to their usual paradigm.. I suspect that they may find it easier to move to 'experimental' than an experimental musician would find it to move to their genre skillfully.
But in truth its probably unlikely that 'masters' of either group would be at all interested in switching sides or encompassing both masteries... its probably only "wanna-be's" like me who would like to be able to master both, knowing that we probably wont master either.
Thank god - only a few hours left of this damn awful year! Wishes to you and everyone here for a happy healthy and fullfilling 2014! - I am now off to be with my children in my former home with my nearly former wife to play some distorted version of "happy families" - or at least thats what I hope we will be playing -