"I think that what the "serious players" should own up to here is that when they make these blanket statements like "unplayable", "unusable linearity", "can only make drone sounds", can't be used by synthesists", what they are REALLY saying is "BY ME", and quit trying to include the rest of us in their inability or unwillingness to come to grips with what is essentially a very cool new instrument." - Synthguy
When the likes of Thomas Grillo and Peter Pringle say it is difficult to play, you have to sit up and take notice a little bit.
"The editor does use all of the CC links that have been available since the instrument was launched, but I'll bet that not many people here or elsewhere have bothered (or were able) to whip up a simple platform to make their own edited presets (I did, but I love that kinda stuff). The editor now makes it easy for everyone, as well as providing a librarian, a bunch of new free presets, and the ability to share them between like minded individuals. Sweet!"
To me the editor reveals the strong possibility that what you see (in the manual) is all you're gonna get in the way of synthesis. That's kind of a let down for me. The Animoog app totally puts it to shame:
"I myself kinda liked that guys performance...can you post one of you doing a better job on what you deem to be a "real" Theremin?"
I've never perpetrated myself as a Theremin player, in fact I go out of my way to state that over and over. But I'm a lay musician, and that video hurt my ears.
"Glad you like my review at Amazon, I'd be happy to repost it here if you think that would be useful...it touches on a lot of what is not being discussed here, I think."
Oh, why not, you stuck it on every Theremini product page over there, what's one more gushing, glowing review on the web? Like drops of water on the ocean.
"And no, I don't work for Moog, if that's what you're hinting at (wouldn't that be nice!), I'm just a guy who loves synths... A Synthguy!"
Trust me, you're a natural, and you're wasting your talents if you aren't being compensated somehow.
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So what is the Theremini? Honestly? It's two low voltage capacitance sensors with some interesting processing going on that finally gives direct control over sensitivity, as well as rudimentary pitch correction. Other than the low voltage that's great. These sensor are, however, connected in a low bandwidth way to a synth that is only marginally OK if you don't look at Moog's own iPad apps. It can be used for special effects and control of soft synths if you aren't too demanding in the gesture department. Mostly it's a turnkey solution you can plop on your coffee table and have a great geeky conversation piece.
I think it's biggest fail is the lack of fine tuning post calibration. Every Theremin that isn't a $10 two transistor toy in a plastic Russian doll housing has some way to easily trim this because it is so vital to serious play and profoundly impacts linearity (even on the Theremini). I mean, what were they thinking?