I have a number of questions I'll be asking at some stage ... but, as far as possible, I'm searching through back-posts/topics to avoid annoying everyone with new posts that are a repetition. However ...
I'd really appreciate a little clarification about "pitch-preview" ...
Am I right in understanding that, via an earphone/earbud, the player can faintly hear notes played by the right hand while the left hand is silencing the volume loop?
Which theremins, if any, have this fitted as standard? How, with practically no mechanical aptitude and living outside the USA and therefore not able to easily return my E-standard to Moog, would I get it modified? Is there anyone in the UK who can be paid to do the adaption? Or would I be better off searching for a theremin with pp included? I'm also not clear whether the E-Pro (which I was too late for) had pp or not.
For general playing, I'd prefer to play without pitch-preview, and learn to rely on ear/fingering ... however, for recording of theremin playing, it's often awkward to "come in" on the exact note, especially when playing with accompaniment. Presently, I pitch-fish ... but no matter how quiet, this can be noticable on recordings.
If, in the distant future, I reach a stage when I feel able to play in public, I feel some form of pitch-preview would be vital. However ... I'm not convinced that having an earbud in one ear is the ideal answer. Surely it would block out a certain amount of external sound ... and just look, well ... odd.
I've wondered if a more useful kind of pitch-preview would not be audible but visual. I have an amplifyer that displays notes, (but this is useless as it only displays when the amp is in silent mode ... and once you've clicked the switch you've lost where the opening note is). I certainly think a visual display of pitch would be best avoided whilst playing ... but purely to find just an opening note only (in complete silence) it would be incredibly useful ... and would avoid the distraction of an earbud. It would also work well if there' a break in the piece while the accompaniment takes over and, after a while, you have to find a "new" starting note.
Alternatively ... I seem to remember reading somewhere that Clara Rockmore's custom-built theremin had a small bulb that would light up whenever she played an "A". This must have been just as useful (almost), as surely one could sort of "grope" around for the "A" in silence, then it would be possible, (with fingering-positions), to determine the place of your starting note so many tones/semitones up or down.
Any thoughts/advice appreciated.