I have one question.. I do not understand what motivates people to select, out of the dozens of Theremin designs freely available, this particular Theremin (or, for that matter, the Glasgow Theremin).. It really puzzles me!
*******************************
I don't know about theremin builders but I suspect that like many aspiring players, they are frequently guided in their decisions by cost and by the apparent simplicity of design. They have little or no experience with the instrument and do not understand how vastly different the behavior is of the various available models.
The principle of the theremin is simple, and its EM interface is invisible, so people tend to think all theremins respond in more or less the same way. The subtleties of linearity and configuration are known only to relatively experienced theremin aficionados, and newcomers to the instrument often ignore the advice given to them and are guided instead by their pocketbooks (and sometimes by the mistaken belief that they already know).
If pianos had keyboards with linearity that resembled the configurations of some theremins, every note would be spaced differently from its neighbor. Could you imagine a keyboard where the bass notes were four inches wide, and the treble a quarter of an inch? Anyone could see at a glance that such a keyboard is not playable.
The theremin is invisible, and so are its pitfalls.
With the theremin, everyone is an expert. I have seen people give lessons in how to play when their instrument is barely out of the box it came in! This doesn't happen with traditional instruments but it is surprisingly common with the theremin.
Fred, could it be that the same false sense of understanding applies to the technical and design side of the wonderful world of the theremin?