[i]Thought I'd start a new thread where we can share our experiences in the school of hard knocks. The name "Never Again" is from a popular column in "Flying" magazine wherein pilots share harrowing tales of 'close call' situations and strategies to avoid them in the future.[/i]
[b]The perils of an overly-short warmup time[/b]
With only a 15 minute setup and warmup time, it was time for me to perform. My opening work was a long-looping composition, 15 minutes in length.
Things started out pretty well however as I moved into the work some things happened that were unexpected.
While I had no trouble articulating and tuning the long notes the closely spaced notes weren't quite there. I found myself correcting to pitch -- relying on my ear and coordination to keep things bearable. I had to adjust my note spacing while keeping my stress level in check.
The worst part was when I went for a sustained bass note at the end of the work I could not reach the note!
What the heck happenned?
When listening to the playback I was able to deduce that the theremin's tuning (note spacing) shifted while I played. The note spacings increased which upset the jumps and intervals and pushed the low notes behind where I could physically get to them.
The culprit, of course, was the short warm-up time. However, some gigs don't offer the luxury of a 30 minute or longer warm up time. What to do?
In the future, when I must deal with a short warmup time, I will open with a short work -- less than five minutes. It will be simple enough that I can deal with any tuning shifts.
Also, I will check tuning between each number -- at least during the first 30 minutes after the theremin was turned on.
[i]-- Kevin[/i]
[b]The perils of an overly-short warmup time[/b]
With only a 15 minute setup and warmup time, it was time for me to perform. My opening work was a long-looping composition, 15 minutes in length.
Things started out pretty well however as I moved into the work some things happened that were unexpected.
While I had no trouble articulating and tuning the long notes the closely spaced notes weren't quite there. I found myself correcting to pitch -- relying on my ear and coordination to keep things bearable. I had to adjust my note spacing while keeping my stress level in check.
The worst part was when I went for a sustained bass note at the end of the work I could not reach the note!
What the heck happenned?
When listening to the playback I was able to deduce that the theremin's tuning (note spacing) shifted while I played. The note spacings increased which upset the jumps and intervals and pushed the low notes behind where I could physically get to them.
The culprit, of course, was the short warm-up time. However, some gigs don't offer the luxury of a 30 minute or longer warm up time. What to do?
In the future, when I must deal with a short warmup time, I will open with a short work -- less than five minutes. It will be simple enough that I can deal with any tuning shifts.
Also, I will check tuning between each number -- at least during the first 30 minutes after the theremin was turned on.
[i]-- Kevin[/i]