Cheers, T. If I don't respond to a PM, it's probably because the message was never sent. I check TW regularly.
Fred, yep, that was me. (uh, perhaps you were not serious, but just in case) I don't know if people notice my name, usually hardcoded as a title in my videos. In the past my youtube user name was ooo6, I changed it more recently to my actual name. I really haven't made anything in a while so I there is nothing that is totally representative of my playing that exists on the internet. The closest is what I have posted to my soundcloud page http://soundcloud.com/randygeorge where I have some excerpts posted from a concert in 2011.
I'm not a guy that just spouts off my opinions of the theremin without walking the walk. I am not offended that not everyone knows every single thing I've made. (I'm actually not offended by anything, even though that sounds impossible). I have seen the best and worst that the internet has to offer in the comments sections of my videos. Really some of the most beautiful and horrific sentiments in the same place.
I became an Etherwave Pro owner in March of 2007, I paid $1000. My E-Pro serial number is 0405.
The E-Pro that is posted to the ebay link is 0024. and the seller is currently asking for $8900. I think the main reason the seller thinks they can get away with their suggested price has to do with it being a low serial number and having been physically handled/assembled by Bob Moog before his passing. While that sounds like it should be a good thing, it is actually is not. at least not for someone who wants the instrument to actually perform on.
The earlier EPro's had more problems than the later ones. The Pitch an Volume PCBs had seen a couple board revisions. If I am not mistaken, the threads on the pitch rod were easy to strip because of being so finely threaded. The early EPro's also did not have the factory Volume Response modification that Bob designed to lessen the problem of the ultra snappy volume response. Later, Thierry Frenkel further improved this with his EPVM1345 module, but according to the listing it has not been installed in the instrument for sale. I think the Epro stand has changed slightly from the earlier serial#s, but it was (and still is) the achilles heal of the instrument.
Roger Ballenger and I came up with a solution to make the EPro stand more stable. I'll write a separate post about it when I make the time and gather the pics we took.
It is possible that the Ebay seller wants to sell to a museum as an artifact. In that case, it make perfect sense to sell the instrument beyond what musicians are willing to pay. It is however, IMO, super lame. I hope some filthy rich parent buys it for their uncharacteristically non-spoiled disciplined aspiring thereminist child.