Fred use to get upset when I mentioned RF and theremin’s in the same sentence.
With my thinking, my guess to explain why my special antenna had perfect pitch field linearity without needing inline coils was due to the “RF” loading effect of the hand as it gets closer to the spiral pitch antenna. The hand capacitance shifts the minute RF current flow within the antenna which changes the loading of the pitch oscillator a bit, shifting the Xc of the oscillator, this counters the normal hand capacitance. The freq used was 922 kHz which is also M. Faraday's birthday, a gift from the other side?
* Even if my explanation is incorrect the linearity is still there and perfect, needs study. The pitch field will be linear or it is not, there is no almost linear. Some how notch tuning?
* Why it matches a musical scale on keyboard note for note in distance I never figured out, that is a man made creation.
* One last fascinating observation, using the correct connecting point on the tightly coiled antenna will cancel any pitch drift caused by the antenna relative to the surroundings and temperature change.
There is still a lot to be studied how this simple pitch linearity works but that is for someone else with an open mind.
There were engineers that injected my tightly coiled antenna approach with a signal generator looking for an effect, this is like the driver of a bulldozer pushing a feather and constantly saying I do not detect a feather so there must be no feather.
I developed an attitude from this period that Modeling is good for studying circuits once the basic fundamentals are understood but Modeling might limit original discovery. Nothing will surpass thorough bench testing, a slide-rule and curiosity.
From my experience most all theremin thermal drift comes from transistor PN junctions as my tube theremins did not drift. Coil drift is minimised in theremins by using the same coil in both oscillators, which will offset each other.
Always get a sound sample of any theremin you want to build, if none exists then there is a reason, it is all show and no go.
dewster revealing how to buffer the two pitch oscillator was a breakout moment for me. In france everything is a secret.
Any analog theremin, solid state or tube, can have that classic sound of Clara if you know what you are looking for and how to get there. This is another thing you will never find in Modeling. The vacuum tube has a characteristic that makes it slightly better for a classic voice but tubes are less practical. There is something very beautiful in analog theremin design, almost a connection to nature, maybe organic, not experienced with digital approaches.
The use of cellphones ended my explaining on a webpage how I got my results as communication became short cryptic sentences rather than an in depth email exchange of ideas. In theremins everyone is an expert even if they have never demonstrated anything that works.
From my first crystal radio in the 50's to analog theremin design today, it was a total climax as a hobbyist to hear her voice.
The theremin can be more than a cheap digital whistle.
Christopher
PS: I loved Fred as he was one of the three Amigo's in my mind, brothers till the end - Fred, dew and me.